Saturday, December 15, 2012

Basilico Emulation Best Of

Here are my six favorite images from my series project emulating Gabriele Basilico. I learned a few interesting things during this series. First, a reminder that photography is all about preparation. Architectural/city landscape photography requires a lot of work just to get to the right angles/perspectives. I also learned a lot about the possible usages of negative space, an aspect of composition I didn't usually consider in the past. I returned to shoot in black and white for the first time in a while, and I think I learned not to overload the contrast and exposure in the editing process of said shots. It's something I used to do when I first started shooting black and white, and I lost a lot of the more interesting details in my photographs because of that. Anyways...








Basilico Emulation Third Draft

The third draft of my series emulating the Italian architectural photographer Gabriele Basilico. I continued with the same themes, and focusing on simple colors and negative space in the compositional aspects of my work. I also shot some in the rain, which provided some really good lighting.







Saturday, December 8, 2012

Basilico Emulation Second Draft

Here's the second draft of my series emulating the style of Italian architectural photographers Gabriele Basilico. Here I continued to focus on the usage of negative space in my composition, and using simple lighting and black and white to accentuate. This was also my first time shooting with a wide angle lens.








Monday, December 3, 2012

Basilico Emulation First Draft

Here's my first draft emulating Gabriele Basilico's photography. Architectural and cityscape photography was something I'd never done, so I struggled with this assignment. The first challenge is simply logistic, finding unique architectural areas. I was hoping to emulate the narrative qualities of Basilico's work: as in the idea of architecture being representative of a city and the people within it as a whole. I was also hoping to emulate the composition of some of Basilico's shot: such as the usage of negative space and the wide and removed perspective he shot from. It's just a first draft, and I feel I'll better emulate this traits in future attempts.